Here are the top 5 models (without lenses and accessories) of video cameras among the most expensive on the market. Note: The entries from Phase One and Hasselblad, more than video cameras, are extraordinary medium-format cameras mainly designed for photography; however, for consistency with the "5 most expensive" ranking, we include them here. Prices are indicative and may vary depending on the retailer and country.
- ARRI ALEXA LF
Indicative price: ~98,000 USD

Description:
The ALEXA LF is an icon of high-end digital cinema. Used in many Hollywood productions, it boasts unparalleled image quality and build robustness, specifically designed for the professional movie set.
10 Features:
- Sensor type: Large Format (Full-Frame) ARRI ALEV III 36.70 mm x 25.54 mm (1.445 in x 1.005 in)
- Maximum recording resolution: Up to 4.5K native 4448 x 309 13,8 megapixels
- Recording formats: ARRIRAW, ProRes (various formats and bitrates)
- Dynamic range: About 14+ stops
- Frame rate: Supports up to 90 fps (depending on the format)
- Lens mount: LPL (with PL adapters available)
- Weight (body only): Around 7.2 kg
- Build: Durable body for heavy use on film sets
- Mounting: Compatible with a wide range of professional rigs
- Intended use: High-end film productions
Pros:
- Industry-leading image quality
- Wide dynamic range for high latitude in exposure
- Exceptional reliability, even in extreme conditions
Cons:
- Extremely high price
- Significant weight, requiring robust support equipment
- Menu and functions designed for professionals, not amateurs
- Sony VENICE 2
Indicative price: ~60,000 USD

Description:
The Sony VENICE 2 is the flagship model in Sony's cinematic line. It offers a high-quality full-frame sensor, great flexibility in recording formats, and a modular design that easily adapts to different productions, from films to commercials.
10 Features:
- Sensor type: 35 mm Full-Frame (up to 8.6K, depending on configuration)
- Maximum recording resolution: Up to 8K 50 megapixels
- Recording formats: X-OCN, ProRes, RAW (with external recorder), and others
- Dynamic range: About 15+ stops
- Frame rate: Up to 90 fps in 6K; variable values depending on format
- Lens mount: E-mount (with optional PL adapters)
- Weight (body only): Around 2.4 kg
- Cooling system: Optimized ventilation for long shooting sessions
- Interchangeable sensor module: Ability to replace the sensor with different units
- Color science: Customizable S-Log3 color profile and Looks
Pros:
- High image quality with wide dynamic range
- Flexible recording formats, ideal for various workflows
- Relatively lighter and more compact than other high-end video cameras
Cons:
- Still very high price for smaller studios or individual operators
- Requires a professional accessory ecosystem (monitors, rigs, etc.)
- Some advanced features require optional modules not included
- Phase One XF IQ4 150MP
Indicative price: 50,000–55,000 USD

Description:
The XF IQ4 150MP is a medium-format camera that leads the ultra-high-end professional photography sector. Although it is not designed as a video camera, we include it for completeness: its resolution and dynamic range make it the “Holy Grail” for fashion, advertising, and art photographers.
10 Features:
- Sensor type: Medium format (about 54x40mm) 151 megapixels
- Resolution: 151 megapixels fixed, 14204 × 10652 pixel, theoretically 13.9K
- Connection: XF camera system with digital back IQ4
- Weight (body + back): Around 1.8 kg
- Dynamic range: Up to 15 stops in photography mode
- Interface: High-resolution touch rear screen
- AF system: Contrast-detection autofocus enhanced for medium format
- Connectivity: Ethernet, USB-C, Wi-Fi
- Build: High-quality aluminum and magnesium alloys
- Lens system: Dedicated Schneider Kreuznach lenses
Pros:
- Unmatched photographic resolution
- Exceptional image quality, ideal for very large prints
- Excellent software support (Capture One) for post-production
Cons:
- Not a video camera in the traditional sense (limited or no video recording)
- Large size and weight for a medium-format setup
- Extremely high price, aimed at a niche professional market
- Hasselblad H6D-400c MS
Indicative price: ~48,000 USD

Description:
Another super-premium medium-format camera, the H6D-400c MS (Multi-Shot) stands out for its function of combining multiple shots to achieve incredible detail and color accuracy. It is a gem for still life, product, and architecture photographers.
10 Features:
- Sensor type: Medium format 100 MP (multi-shot up to 400 MP theoretical) 53.4 x 40.0 mm
- Resolution: 100 megapixels single shot, up to 400 MP combined. 4 K
- Multi-Shot mode: Sensor shift for more accurate detail and color capture
- Weight (body + back): Around 1.63 kg
- AF system: Contrast-detection autofocus optimized for studio work
- Dynamic range: About 15 stops in photography mode
- Rear display: High-resolution touchscreen
- Connectivity: USB 3.0, Wi-Fi (optional), HDMI
- ISO range: 64–12800 (in photography)
- Build quality: Robust, ergonomic body typical of Hasselblad
Pros:
- Stunning image quality thanks to Multi-Shot
- Perfect colors and details, ideal for advertising or artistic work
- User-friendly design and interface for a medium format
Cons:
- Not primarily designed for video
- Very high price, intended only for top-tier photography studios
- Bulk and weight not suitable for “on the go” shoots
- Canon EOS C700 FF
Indicative price: 30,000–33,000 USD

Description:
The EOS C700 FF represents the pinnacle of Canon's cinematic line. Equipped with a Full-Frame sensor and extremely flexible recording formats, it is aimed at meeting the needs of high-budget television, film, and advertising productions.
10 Features:
- Sensor type: 35 mm Full-Frame 5.9K Canon CMOS 38.1 x 20.1 mm
- Recording resolution: Up to 5.9K RAW (with dedicated recorder) 18,69 megapixels
- Recording formats: RAW, XF-AVC, ProRes (with additional modules)
- Dynamic range: About 15+ stops
- Frame rate: Up to 60 fps in 5.9K RAW, up to 168 fps in 2K crop
- Lens mount: EF or PL (depending on version)
- Weight (body only): ~3.7 kg
- AF system: Dual Pixel CMOS AF (EF version)
- Connectivity: 12G-SDI, Ethernet, optional Wi-Fi
- Build: Modular and robust structure for heavy use
Pros:
- Great recording flexibility and workflows (RAW, XF-AVC, ProRes)
- Canon's industry-leading Dual Pixel AF (EF version)
- Excellent color management, especially with Canon cinema lenses
Cons:
- Significant cost, though lower than top-end ARRI and Sony models
- Noticeable weight: requires solid support and rigging
- Maximum potential unlocked only with additional accessories (e.g., external recorders)
Conclusion:
If you're looking for the best in image quality, robustness, and prestige, these five models (including the two medium-format cameras) dominate the ultra-high-end range. However, whether video cameras or medium-format cameras, we’re talking about prices that require budgets from film productions or luxury photography studios. And if these prices seem crazy… well, you're not the only one thinking that! But for professionals seeking absolute perfection (or those after an extreme status symbol), these tools represent the ultimate available today on the market. Happy choosing, and... watch your wallet!