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Buddy Guy
"Descrizione"
by Cpt98 (3248 pt)
2026-Jan-16 20:02

Buddy Guy, complete biography, Chicago blues, international concerts, and complete discography


Profile

George “Buddy” Guy (Lettsworth, Louisiana, July 30, 1936) is an American guitarist, singer, and bandleader, recognized as one of the leading interpreters of Chicago blues and as a direct link between classic electric blues and modern blues rock.

Buddy Guy has had a documented and sustained influence on generations of blues and rock guitarists, contributing decisively to the evolution of electric-guitar language in the second half of the twentieth century.

Origins and formation (From the 1930s to the 1950s)

Raised in rural Louisiana, Buddy Guy came into contact with:

  • Delta blues,

  • gospel music,

  • Southern African American guitar traditions.

In the 1950s he played in local contexts, developing a style already marked by strong dynamics, expressive use of distortion, and aggressive phrasing, elements that anticipated later blues rock.


From the 1950s: Move to Chicago and entry into the urban scene (1957–1959)

In 1957 Buddy Guy moved to Chicago, where he:

  • entered the South Side club circuit,

  • worked as a supporting guitarist for established artists,

  • was noticed for his stage presence and unconventional approach to the instrument.

In this period he began working with Chess Records, often as a session musician more than as a featured artist.


From the 1960s: Chess Records, experimentation, and underground influence (1960–1969)

The 1960s represent a crucial but complex phase.

Studio activity

Buddy Guy recorded several singles and albums for Chess, but his style was often restrained by more conservative production choices.

Significant tracks

  • First Time I Met the Blues

  • Stone Crazy

  • Ten Years Ago (with Junior Wells)

Live activity

  • regular concerts in Chicago clubs,

  • high-intensity performances,

  • development of a radical guitar style.

In this decade his influence was greater among musicians than in the record market, especially among young British guitarists.


From the 1970s: International recognition and rock audience (1970–1979)

Albums

  • 1968 – A Man and the Blues

  • 1972 – Buddy Guy & Junior Wells Play the Blues

Concerts and countries

In the 1970s Buddy Guy:

  • performed regularly in Europe,

  • gained a strong following in the United Kingdom and France,

  • became a reference point for rock audiences interested in electric blues.

His style, based on feedback, high volume, and physical interaction with the instrument, was recognized as a precursor of modern guitar rock.


From the 1980s: Artistic continuity and role as a blues custodian (1980–1989)

In this period Buddy Guy:

  • maintained an intense live schedule,

  • became a central figure in transmitting traditional blues,

  • supported younger artists as an informal mentor.

Recording success remained limited, but his live reputation grew steadily.


From the 1990s: Critical rediscovery and recording relaunch (1990–1999)

Albums

  • 1991 – Damn Right, I’ve Got the Blues

  • 1993 – Feels Like Rain

  • 1994 – Slippin’ In

These releases marked a turning point:

  • broad critical acclaim,

  • renewed international visibility,

  • institutional recognition and awards.


From the 2000s: Maturity and global consolidation (2000–2009)

Albums

  • 2001 – Sweet Tea

  • 2005 – Bring ’Em In

  • 2008 – Skin Deep

Buddy Guy continued to:

  • release significant albums,

  • play at major blues and rock festivals,

  • collaborate with high-profile artists.


From the 2010s: Latest albums and selective activity (2010–2019)

Albums

  • 2010 – Living Proof

  • 2013 – Rhythm & Blues

  • 2018 – The Blues Is Alive and Well

In later years he gradually reduced touring, while remaining active on stage and in the studio.


Musical style (Practical elements)

Buddy Guy is recognized for:

  • extreme use of dynamics,

  • control of feedback and distortion,

  • unpredictable, vocal-like phrasing,

  • strong physical interaction with the guitar,

  • direct influence on blues rock and psychedelic rock.

His approach redefined the expressive possibilities of electric blues guitar.


Discography

Early period / Chess Records (1958–1967)

(A phase dominated by singles and session work; few official LPs at the time.)

Key singles

YearTrack
1958Sit and Cry (The Blues)
1960First Time I Met the Blues
1961Stone Crazy
1962Leave My Little Girl Alone
1965My Time After a While

Transition period and later-issued Chess recordings (1968–1980)

Studio albums

YearAlbumMain tracks
1968A Man and the BluesMary Had a Little Lamb · Just Playing My Axe
1981Stone Crazy! (Chess recordings 1961–1965)Stone Crazy · I Got a Strange Feeling

Vanguard Records period / electric blues revival (1991–1998)

Studio albums

YearAlbumMain tracks
1991Damn Right, I’ve Got the BluesDamn Right, I’ve Got the Blues · Five Long Years
1993Feels Like RainFeels Like Rain · She’s a Superstar
1994Slippin’ InI Smell a Rat · Trouble Man
1996Blues SingerWhen My Left Eye Jumps · Good Morning Blues
1998Heavy LoveHeavy Love · Midnight Train

Mature period and international recognition (2001–2010)

Studio albums

YearAlbumMain tracks
2001Sweet TeaBaby Please Don’t Leave Me · Done Got Old
2003Blues SingerWhen My Left Eye Jumps · Hard Time Killing Floor
2005Bring ’Em InToo Soon · Black Night
2008Skin DeepSkin Deep · Hammerhead
2010Living Proof74 Years Young · Stay Around a Little Longer

Recent period and career celebration (2013–2022)

Studio albums

YearAlbumMain tracks
2013Rhythm & BluesBest in Town · Messin’ with the Kid
2015Born to Play GuitarBorn to Play Guitar · Wear You Out
2018The Blues Is Alive and WellThe Blues Is Alive and Well · Bad Day Blues
2022The Blues Don’t LieI Let My Guitar Do the Talking · We Go Back

Documentable career facts

  • Over 60 years of musical activity.

  • Thousands of concerts in the United States and Europe.

  • Direct influence on British and American blues rock.

  • Recognized as a historical bridge between traditional blues and modern rock.


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